Tap Noir
An enigmatic blend of tap dance, electronics and the supernatural.
Tap dance Helen Duffy / Janne Eraker
Choreography Janne Eraker
Light and sound Jorg Schellekens
Concept Jorg Schellekens + Janne Eraker
Outside eye Erik Kaiel
It tap dance still makes you think about musicals with Ginger Rogers and Fred Astaire, then Tap Noir will change that in a rapid tempo. In a dark world, inspired by film noir and Japanese horror, tap dancer Helen Duffy (GB) controls and plays an enigmatic installation of stroboscopes and soundscapes. A tsunami of optical illusions and strange rhythms will take you on a surreal trip. Tap Noir is the newest project of tap dancer / choreographer Janne Eraker in collaboration with light and sound designer Jorg Schellekens (NL). In this work the rhythm and movement vocabulary of tap dance are situated in a context of solely stroboscopic light and electronic sound. The result is a piece that tricks your senses with its very own and new form.
Tap Noir is a piece for one dancer and three stroboscopic lights, connected by contact microphones and piezo pickups. Together they work like an instrument of sorts, enabling the dancer to “play” the light and sound in a variety of ways. The project had a research phase of several weeks exploring and developing the artistic possibilities within the technical framework, during residencies in Oslo (Notam), Rotterdam (Dansateliers) and The Hague (Bureau Dégradé).
Beware, this piece is not suitable for people with epilepsy or those who are prone to migraines.
Duration: ca 40 min.
Premiere on April 2., 2022, at Oslo Teatersenter
Supported by Arts and Culture Norway, FFUK, Oslo City, The Hague City, Performing Arts Hub Norway, Stikk
Residencies at Notam, Bureau Dégradé, Dansateliers, Oslo Teatersenter
Disclaimer: Tap Noir is exclusively lit with stroboscopic light and is therefor difficult to film. It’s not possible to experience the optical effects that occur when watching in real life. We hope the trailer can still give you an impression of this work. A big part of what you see when watching the piece in real life is caused by a physiological phenomenon called the ’afterimage’ effect. It is described as ’an image continuing to appear in one’s vision after the exposure to the original image has ceased. One of the most common afterimages is the bright glow that seems to float before one’s eyes after looking into a light source.’ Because it’s caused by a physical reaction in your own eyes it’s almost impossible to reproduce in video. Please keep this in mind when viewing.
Choreography Janne Eraker
Light and sound Jorg Schellekens
Concept Jorg Schellekens + Janne Eraker
Outside eye Erik Kaiel
It tap dance still makes you think about musicals with Ginger Rogers and Fred Astaire, then Tap Noir will change that in a rapid tempo. In a dark world, inspired by film noir and Japanese horror, tap dancer Helen Duffy (GB) controls and plays an enigmatic installation of stroboscopes and soundscapes. A tsunami of optical illusions and strange rhythms will take you on a surreal trip. Tap Noir is the newest project of tap dancer / choreographer Janne Eraker in collaboration with light and sound designer Jorg Schellekens (NL). In this work the rhythm and movement vocabulary of tap dance are situated in a context of solely stroboscopic light and electronic sound. The result is a piece that tricks your senses with its very own and new form.
Tap Noir is a piece for one dancer and three stroboscopic lights, connected by contact microphones and piezo pickups. Together they work like an instrument of sorts, enabling the dancer to “play” the light and sound in a variety of ways. The project had a research phase of several weeks exploring and developing the artistic possibilities within the technical framework, during residencies in Oslo (Notam), Rotterdam (Dansateliers) and The Hague (Bureau Dégradé).
Beware, this piece is not suitable for people with epilepsy or those who are prone to migraines.
Duration: ca 40 min.
Premiere on April 2., 2022, at Oslo Teatersenter
Supported by Arts and Culture Norway, FFUK, Oslo City, The Hague City, Performing Arts Hub Norway, Stikk
Residencies at Notam, Bureau Dégradé, Dansateliers, Oslo Teatersenter
Disclaimer: Tap Noir is exclusively lit with stroboscopic light and is therefor difficult to film. It’s not possible to experience the optical effects that occur when watching in real life. We hope the trailer can still give you an impression of this work. A big part of what you see when watching the piece in real life is caused by a physiological phenomenon called the ’afterimage’ effect. It is described as ’an image continuing to appear in one’s vision after the exposure to the original image has ceased. One of the most common afterimages is the bright glow that seems to float before one’s eyes after looking into a light source.’ Because it’s caused by a physical reaction in your own eyes it’s almost impossible to reproduce in video. Please keep this in mind when viewing.
Comments from the audience
“Tap Noir is a delightful blend of tap dance, electronics and the supernatural. I get the feeling that the performance is happening in another dimension, while it’s happening right in front of me.” Håkon Sigernes, tap dancer
“Tap Noir was a cool experience where dance, light and sound were laced together in a fascinating way. There were several passages that I would love to see again, because I want to experience how the elements connect and interact. I’m sure I’ll discover more!” Kevin
“A work that triggers many thoughts about art, and how we express art today. In an eternal blinking light we get everything from Japanese horror imitations to memories from our own childhood, from when we drew little, jumping stick men in the corner of some schoolbook. The forever flashing light never lets us rest, and sometimes I had to close my eyes and just listen. Tap Noir is a show I’d love to see again, as no performance is the same as the other.” Vegar Vårdal, fiddler
“For me, Tap Noir was an organic experience of a photographic art installation, with sounds and stroboscopic light being triggered by Helen Duffy’s tap shoes. A rewarding experience!” Magne A. Bauge, Technical Training Manager
“I was at the Tap Noir premiere. Wow. Never have I seen anything like it! Eyes and brains were challenged, since the show is lit with stroboscopes only. It results in a performance that can almost be described as a “live” slideshow. The tap dancer's performance is very impressive, as she is triggering light and sound up on a stage, staring into either complete darkness or very bright lights. Tap Noir is an experience far from the ordinary!”
“Tap Noir manages to trick the senses again and again. Short flashes of light let the brain fill in what it thinks it’s seeing, and fragments of the dancer seem to hang on the wall and retina, like some kind of reversed shadow theater. While knowing how the installation works, and how the dancer makes tap dance sounds and triggers light and sound, the senses still get so misled that one starts to wonder what’s really going on. With a landscape that reaches from dark, serious and even creepy, to funny and psychedelic, Tap Noir is an exciting and peculiar work.” Kristoffer, el. musician
“Tap Noir is a delightful blend of tap dance, electronics and the supernatural. I get the feeling that the performance is happening in another dimension, while it’s happening right in front of me.” Håkon Sigernes, tap dancer
“Tap Noir was a cool experience where dance, light and sound were laced together in a fascinating way. There were several passages that I would love to see again, because I want to experience how the elements connect and interact. I’m sure I’ll discover more!” Kevin
“A work that triggers many thoughts about art, and how we express art today. In an eternal blinking light we get everything from Japanese horror imitations to memories from our own childhood, from when we drew little, jumping stick men in the corner of some schoolbook. The forever flashing light never lets us rest, and sometimes I had to close my eyes and just listen. Tap Noir is a show I’d love to see again, as no performance is the same as the other.” Vegar Vårdal, fiddler
“For me, Tap Noir was an organic experience of a photographic art installation, with sounds and stroboscopic light being triggered by Helen Duffy’s tap shoes. A rewarding experience!” Magne A. Bauge, Technical Training Manager
“I was at the Tap Noir premiere. Wow. Never have I seen anything like it! Eyes and brains were challenged, since the show is lit with stroboscopes only. It results in a performance that can almost be described as a “live” slideshow. The tap dancer's performance is very impressive, as she is triggering light and sound up on a stage, staring into either complete darkness or very bright lights. Tap Noir is an experience far from the ordinary!”
“Tap Noir manages to trick the senses again and again. Short flashes of light let the brain fill in what it thinks it’s seeing, and fragments of the dancer seem to hang on the wall and retina, like some kind of reversed shadow theater. While knowing how the installation works, and how the dancer makes tap dance sounds and triggers light and sound, the senses still get so misled that one starts to wonder what’s really going on. With a landscape that reaches from dark, serious and even creepy, to funny and psychedelic, Tap Noir is an exciting and peculiar work.” Kristoffer, el. musician